The Japanese language is unusual among major languages in the high degree to which the speech of women collectively differs from that of men. Differences in the ways that girls and boys use language have been detected in children as young as three years old (Tannen).
Such differences are sometimes called "gendered language." In Japanese, speech patterns peculiar to women are sometimes referred to as onna kotoba (女言葉, "women's words") or joseigo (女性語, "women's language"). The use of "gender" here refers to gender roles, not grammatical gender. A man using feminine speech might be considered effeminate, but his utterances would not be considered grammatically incorrect. In general, the words and speech patterns considered masculine are also seen as rough, vulgar, or abrupt, while the feminine words and patterns make a sentence more polite, more deferential, or "softer" (countering abruptness). Some linguists consider the rough/soft continuum more accurate than the male/female continuum – for example, Eleanor Harz Jorden in Japanese: The Spoken Language refers to the styles as blunt/gentle, rather than male/female.[1]
There are no gender differences in written Japanese (except in quoted speech), and almost no differences in polite speech (teineigo), except for occasional use of wa (and except for the fact that women may be more likely to use polite speech in the first place[citation needed]).
Major differences in the use of Japanese
| Female   speakers | Male speakers | 
| Use   polite forms more often | Use   polite forms less often | 
| Use   more tag questions | Use   fewer tag questions | 
| Avoid   dropping respectful titles | Drop   respectful titles more quickly | 
| Use   intrinsically feminine words | Use   intrinsically masculine words | 
| Use   forms intended to soften speech | Use   abrupt, rough-sounding forms more often | 
Words for "I" or "me"
| Male or   female | ||
| 私, わたし | watashi | polite,   used by both men and women. In the Edo period, used to be used more   frequently by women, but currently it is neutral.[contradiction] | 
| 私, わたくし | watakushi | polite,   used by both men and women; more formal than watashi. | 
| 自分, じぶん | jibun | used by   both men and women. However, in the Kansai dialect, jibun refers to   "you". | 
| うち | uchi | used by   both men and women in some circumstances, especially when speaking of home   and/or family, and also by young girls | 
| One's   own name | used   almost exclusively by women. Greater frequency of usage connotes femininity.   For men, the usage is limited to extremely feminine men and elderly male   people. | 
| Female | ||
| あたし  | atashi | young   girls, women, men expressing femininity; soft, feminine | 
| あたくし | atakushi | formal   form of atashi; women, mostly in formal situations | 
| あたい | atai | 
| Male | ||
| 僕, ぼく | boku | boys   and young men, fairly casual; recently used by some girls. In songs, used by   both sexes. | 
| 俺, おれ | ore | informal   form for men and boys, women not being feminine/polite; distinctly masculine,   sometimes vulgar | 
| 儂, わし | washi | old men | 
| 我輩, 吾輩 | wagahai | archaic,   somewhat boastful masculine | 
| 俺様, おれさま | ore-sama | pompous,   vulgar; boys, men, a combination of ore and the honourific title   "sama" | 
| 我, 吾 | ware | men,   may sound old. | 
Words for "you"
| Male   and female | ||
| 君, きみ | kimi | men to   close friends, lovers; superiors (including women) to inferiors. In songs,   used by both sexes. | 
| 貴方, あなた | anata | standard   polite form when used by men, usual form used by women; (when used to address   a husband or male partner): equivalent to "dear" | 
| そちら | sochira | informal   yet relatively neutral form for 'you', used among peers of similar age   usually. Less insulting than anta (see below) | 
| あんた  | anta | informal   contraction of standard anata; potentially insulting | 
| Male | ||
| 手前 | temee | |
| こいつ | koitsu | directive   pronoun, as in "this guy"; rather hostile | 
| 汝 | nanji, nare | archaic,   generally only used in translations of ancient documents to replace   "thou" | 
| お前, おまえ | omae | direct,   abrupt; sometimes hostile; (when used to address a wife or female partner):   equivalent to "dear" | 
| 貴様 | kisama | formerly   an extremely honorific form of address; in modern speech is as insulting as,   but more refined than, "temee" | 
| Female | ||
| あなた | anata | (when   used to address a husband or male partner): equivalent to "dear" | 
See also Japanese pronouns
Sentence finals
| Feminine | ||
| わ | wa | gives a   distinctly soft effect; not to be confused with wa in the Kansai   dialect | 
| わよ | wa yo | informative | 
| わね | wa ne | ne is a   tag question roughly meaning "don't you agree?" It is sometimes   placed at the beginning, rather than the end of sentences and functions to   soften | 
| の | no | gives a   distinctly soft effect; | 
| のよ | no yo | informative/assertive | 
| のね | no ne | explanatory/tag   question | 
| かしら | kashira | I   wonder | 
| Masculine | ||
| かい | kai | masculine   form of the question marker ka | 
| ぞ | zo | emphatic/informative;   more positive than "ze" | 
| ぜ | ze | emphatic/informative | 
| よ | yo | emphatic/informative;   also used by women, but women often soften by adding wa | 
| かなぁ | kanaa | I   wonder  | 
The word onnarashii (女らしい), which is usually translated as "ladylike" or "feminine," refers to the behaviour expected of a typical Japanese woman. As well as behaving in particular ways, being onnarashii means conforming to a particular style of speech, the features of which are, according to Eleanor Jorden, "repeated like a liturgy in writings everywhere." Some of the features of women’s speech include speaking in a higher register, using more polite forms and using polite speech in more situations, and the use of particular "intrinsically feminine" words (Mangajin).
Feminine speech includes the use of specific personal pronouns (see table, above), omission of the copula da, use of feminine sentence finals such as wa, and the more frequent use of the honorific prefixes o and go.
According to Katsue Akiba Reynolds, ladylike speech is instrumental in keeping Japanese women in traditional roles and reflects Japanese society’s concept of the difference between women and men. For example, there is the potential for conflict for women in the workplace in that, in order to be onnarashii, a woman must speak politely, submissively and humbly, yet in order to command respect as a superior, she must be assertive, self-assured, and direct, even when dealing with male subordinates. Miyako Inoue is also critical of the way gender difference in speech is portrayed in Japan.
Traditional characteristics of Japanese men's speech
Just as there are modes of speaking and behaviour that are considered intrinsically feminine, there are also those that are considered intrinsically masculine. In speech, being otokorashii (男らしい, "manly" or "masculine") means speaking in a lower register, using fewer polite forms and using them in fewer situations, and using intrinsically masculine words.
In particular, men use particular masculine personal pronouns, use the informal ("da") in place of the copula desu, use masculine sentence finals such as zo, and use honorific prefixes less frequently than women.
Gender differences in modern society
As women gain an increasing leadership role in Japanese society, notions of onnarashisa and otokorashisa, that is, what is deemed appropriate behavior for men and women, have evolved over time. Although comparatively more extreme movements call for the elimination of gender differences in the Japanese language (gender-neutral language), convergence in usage is considered unlikely and may not even be desirable. Instead, trends in actual usage indicate that women are feeling more comfortable using traditional characteristics of female speech (such as wa) while still maintaining an assertive attitude on par with men. In other words, there is a gradual decoupling of language forms and traditional cultural expectations.
Although the characteristics of Japanese male speech have been largely unaffected, there has been an increasing sensitivity regarding certain usages (such as calling mature women -chan) that may be considered offensive.
Regional dialect may often play a role in the expression and perception masculinity or femininity of speech in Japanese.
Another recent phenomenon influencing established femininity in speech is the popularity of very feminine men (おかま, okama) as television personalities (芸能人, geinoujin). While homosexuality and transgenderism is still a fairly taboo subject in Japan, lesbians with male traits, or cross-dressers, are referred to as onabe or tachi.
 
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