Before I forget how much I love you :)

Romaji, Transaltion: Jang Geun Seok – What Should I Do

Hangeoreum mankeum geudael bonaemyeon nunmurina
Hangeoreum mankeum geudaega gamyeon deo nunmuri heulleo wa
Soneul ppeodeodo sonnaemireodo daheulsu eomneun goseuro
Geudae ganeunde japji motago nan ulgoman itjyo..

Eotteokhajyo..eotteokhajyo geudaega tteonaganeyo
Eotteokhajyo..eotteokhajyo naldugo tteonaganeyo..
Saranghaeyo..saranghaeyo..mongnoha bulleobojiman
Geudaen deutji motaeyo..gaseumeuroman oechigo isseuni

Haruonjongil jiwobojiman tto tteoolla
Haruonjongil ibyeolhajiman tto dasi tteoolla
Soneul ppeodeodo sonnaemireodo aneulsu eomneun goseuro
Geudaen gatjiman chatji motago nan ulgoman itjyo..

Eotteokhajyo..eotteokhajyo jakku geudaeman boyeoyo
Eotteokhajyo..eotteokhajyo nan geudael saranghaneunde
Mianhaeyo..mianhaeyo..naemari deullisinayo
Dasi dorawajwoyo..geudae animyeon nan andoenikkayo

Kanji, Romaji, Transaltion: HSJ - FUTARI KAKE NO BASHO 二人掛けの場所

作词：Vandrythem
作曲：石塚知生編曲：h-wonder
歌：Hey！Say！JUMP

いつか君が言ってた違う世界のコト

Itsuka kimi ga itteta chigau sekai no koto
急に大人になる君が笑っていた

Kyuu ni otona ni naru kimi ga waratteita

校舍裹の空き地から家路までの距離が

Kousha ura no akichi kara ieji made no kyori ga
仆らの全てだった小さな世界の中

Bokura no subete datta chiisana sekai no naka

君がくれたメールは

Kimi ga kureta meeru ha
一言ガンバレの文字

Hitokoto ‘ganbare’ no moji
すぐに返事は出来ずに

Sugu ni henji wa dekizu ni
夕日がなくならのを見てた

Yuuhi ga nakunaru no wo miteta

Luntur

This is written by Gesang Martohartono. Many singer performed this song but one who catch my attention is Si Walang Kekek, Waldjinah.

Yen lunturo wenterane
Ora koyo yen luntur tresnane
Tekan - tekane atine
Koyo - koyo mung sak sire dewe

Ora sembodo mbiyene
Saben dino mung tansah methuke
Saben kepethuk tembunge
Hangrerepo dadiyo duweke

Ora maido kolo mongso
Wong sok gawe gelo
Ewo semono, nganti biso
Hanglunturke tresna

Ditambakno mrono mrene
Tiwas - tiwas ndhedawa larane
Nangnging tamba sejatine
Ora liyo mung awake dhewe

DIALEK : SUGOKU OISHII すごくおいしい SANGAT ENAK

28 different dialects of SUGOKU OISHII すごくおいしい VERY DELICIOUS / SANGAT ENAK from 28 Prefectures in Japan. Here they are:

Prefektur Aichi 愛知県 : でーりゃー　うみゃー　: DEERYAA UMYA
Prefektur Akita 秋田県 : まあんず　うめ : MAANZU UME
Prefektur Aomori 北海道 : めえ : MEE
Prefektur Fukuoka 福岡県 : ぎゃあん　おいしいかあ : GYAAN OISHIIKAA
Prefektur Hokkaido 北海道 : なんまら　うまい　: NANMARA UMAI
Prefektur Hyogo 兵庫県 : めっちゃ　おいしいやん : MECCHA OISHIIYAN
Prefektur Ibaraki 茨城県 : うまかっぺよー : UMAKAPPEYO0
Prefektur Ishikawa 石川県 : だった　んめえ : DATTANMEE
Prefektur Kagoshima 鹿児島県 : わっぜ　うまい : WAZZE UMAI
Prefektur Kanagawa 神奈川県 : おいしいじゃん : OISHIIJAN
Prefektur Kochi 高知県 : こじゃんと　うまいぜよ : KOJANTO UMAIZEYO
Prefektur Kumamoto 熊本県 : たいぎゃ　うまかけん : TAIGYA UMAKAKEN
Prefektur Mie 三重県 : うまいにー : UMAINII
Prefektur Miyagi 宮城県 : いぎなり　うめえ : IGINARI UMEE
Prefektur Miyazaki 宮崎県 : てげ　うめえ : TEGE UMEE
Prefektur Nagasaki 長崎県 : いっきょな　うまかばい　: IKKYONA UMAKABAI
Prefektur Niigata 新潟県 : どーい　うんめいもんだっちゃー : DOOI UNMEIMONDACCHA
Prefektur Okayama 岡山県 : ぼっけえ　うめえ : BOKKEE UMEE
Prefektur Okinawa 沖縄県 : いっぺー　まーさいびーんどー : IPPEE MAASAIBIINDOO
Prefektur Osaka 大阪府 : むっちゃ　うまい : MUCCHA UMAI
Prefektur Oita 大分県 : どげち　おいしい : DOGECHI OISHII
Prefektur Saga 佐賀県 : がばい　うまかあ : GABAI UMAKAA
Prefektur Shimane 島根県 : まげに　まいずねえ : MAGENI MAIZUNEE
Prefektur Shizuoka 静岡県 : えらい　うまいっけ : ERAI UMAIKKE
Tokyo 東京都 : はんぱねえ　うまい : HANPANEE UMAI
Prefektur Wakayama 和歌山県 : やにこー　うまい : YANIKO UMAI
Prefektur Yamagata 山形県 : んまい : NMAI
Prefektur Yamaguchi 山口県 : ぶち　うまいっちゃ　: BUCHI UMAICCHA

Source: Emhas

Gender differences in spoken Japanese

The Japanese language is unusual among major languages in the high degree to which the speech of women collectively differs from that of men. Differences in the ways that girls and boys use language have been detected in children as young as three years old (Tannen).

Such differences are sometimes called "gendered language." In Japanese, speech patterns peculiar to women are sometimes referred to as onna kotoba (女言葉, "women's words") or joseigo (女性語, "women's language"). The use of "gender" here refers to gender roles, not grammatical gender. A man using feminine speech might be considered effeminate, but his utterances would not be considered grammatically incorrect. In general, the words and speech patterns considered masculine are also seen as rough, vulgar, or abrupt, while the feminine words and patterns make a sentence more polite, more deferential, or "softer" (countering abruptness). Some linguists consider the rough/soft continuum more accurate than the male/female continuum – for example, Eleanor Harz Jorden in Japanese: The Spoken Language refers to the styles as blunt/gentle, rather than male/female.^[1]

There are no gender differences in written Japanese (except in quoted speech), and almost no differences in polite speech (teineigo), except for occasional use of wa (and except for the fact that women may be more likely to use polite speech in the first place^[^{citation needed}^]).

Major differences in the use of Japanese

Female speakers	Male speakers
Use polite forms more often	Use polite forms less often
Use more tag questions	Use fewer tag questions
Avoid dropping respectful titles	Drop respectful titles more quickly
Use intrinsically feminine words	Use intrinsically masculine words
Use forms intended to soften speech	Use abrupt, rough-sounding forms more often

Words for "I" or "me"

Male or female
私, わたし	watashi	polite, used by both men and women. In the Edo period, used to be used more frequently by women, but currently it is neutral.^[^{contradiction}^]
私, わたくし	watakushi	polite, used by both men and women; more formal than watashi.
自分, じぶん	jibun	used by both men and women. However, in the Kansai dialect, jibun refers to "you".
うち	uchi	used by both men and women in some circumstances, especially when speaking of home and/or family, and also by young girls
One's own name		used almost exclusively by women. Greater frequency of usage connotes femininity. For men, the usage is limited to extremely feminine men and elderly male people.

Female
あたし	atashi	young girls, women, men expressing femininity; soft, feminine
あたくし	atakushi	formal form of atashi; women, mostly in formal situations
あたい	atai	more recently characteristic of the Tokyo "downtown" dialect; distinctly rough

Male
僕, ぼく	boku	boys and young men, fairly casual; recently used by some girls. In songs, used by both sexes.
俺, おれ	ore	informal form for men and boys, women not being feminine/polite; distinctly masculine, sometimes vulgar
儂, わし	washi	old men
我輩, 吾輩	wagahai	archaic, somewhat boastful masculine
俺様, おれさま	ore-sama	pompous, vulgar; boys, men, a combination of ore and the honourific title "sama"
我, 吾	ware	men, may sound old.

Words for "you"

Male and female
君, きみ	kimi	men to close friends, lovers; superiors (including women) to inferiors. In songs, used by both sexes.
貴方, あなた	anata	standard polite form when used by men, usual form used by women; (when used to address a husband or male partner): equivalent to "dear"
そちら	sochira	informal yet relatively neutral form for 'you', used among peers of similar age usually. Less insulting than anta (see below)
あんた	anta	informal contraction of standard anata; potentially insulting

Male
手前	temee	archaic, extremely hostile in its corrupted form temee (てめえ);^[^{clarification needed}^] men
こいつ	koitsu	directive pronoun, as in "this guy"; rather hostile
汝	nanji, nare	archaic, generally only used in translations of ancient documents to replace "thou"
お前, おまえ	omae	direct, abrupt; sometimes hostile; (when used to address a wife or female partner): equivalent to "dear"
貴様	kisama	formerly an extremely honorific form of address; in modern speech is as insulting as, but more refined than, "temee"

Female
あなた	anata	(when used to address a husband or male partner): equivalent to "dear"

Kanji, Romaji, Translation: HSJ - Hitomi no Screen Lyric

瞳の中映る世界
溢れそうなカナシミでも
仆达はもう逃げ出さないさ
青春ストーリー
目をこらして見つめながら
光きっと探しだすさ
涙の先を見たいから

Hitomi no naka utsuru sekai
Afure sou na kanashimi demo
Bokutachi wa mou nigedasanai sa
Seishun sutori
Me wo korashite, mitsumenagara
Hikari kitto sagashidasu sa
Namida no saki wo mitai kara

Even if the world reflected in my pupil,
Overflows with sadness,
We will no longer run away,
The story of youth.
If we focus our eyes while looking hard,
We will surely discover the light,
Because we want to see what lies beyond the tears.

Bahkan jika dunia tercermin dalam murid saya,
Meluap dengan kesedihan,
Kita tidak akan lagi melarikan diri,
Kisah pemuda.
Jika kita memusatkan mata sambil keras,
Kita pasti akan menemukan cahaya,
Karena kami ingin melihat apa yang ada di balik air mata.

ジャニーズ、ＨＰでファンに謝罪 … 森本喫煙

最年少メンバーの森本龍太郎（１６）が未成年喫煙により２７日に無期限活動停止となったアイドルグループ、Ｈｅｙ！Ｓａｙ！ＪＵＭＰが２８日、ジャニーズ事務所の公式ＨＰに事実上の謝罪メッセージを掲載した。森本の名前や喫煙の事実には触れていないものの、「大変心配をおかけいたしました」とファンに謝罪した。

　また、８月７～９月１１日に文京区の東京ドームシティホールで上演される彼らの出演エンターテインメントショー「ＳＵＭＭＡＲＹ（サマリー）２０１１」について、９月１８日に京セラドーム大阪、同２４、２５日に東京ドームでの追加公演が決まったことも発表。「精一杯頑張りますので、応援をよろしくお願いします」と呼びかけた。同ショーも、森本抜きの９人で出演する。

Yahoo

Feminine
わ	wa	gives a distinctly soft effect; not to be confused with wa in the Kansai dialect
わよ	wa yo	informative
わね	wa ne	ne is a tag question roughly meaning "don't you agree?" It is sometimes placed at the beginning, rather than the end of sentences and functions to soften
の	no	gives a distinctly soft effect;
のよ	no yo	informative/assertive
のね	no ne	explanatory/tag question
かしら	kashira	I wonder

Masculine
かい	kai	masculine form of the question marker ka
ぞ	zo	emphatic/informative; more positive than "ze"
ぜ	ze	emphatic/informative
よ	yo	emphatic/informative; also used by women, but women often soften by adding wa
かなぁ	kanaa	I wonder

Friday, July 1, 2011